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		<title>TAKASHI HIRAIDE</title>
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		<pubDate>Thu, 04 Nov 2010 15:58:12 +0000</pubDate>
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		<title>bio-bibliography(En)</title>
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		<pubDate>Mon, 01 Apr 1963 14:53:34 +0000</pubDate>
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		<description><![CDATA[Takashi HIRAIDE was born in Moji, Kitakyushu-shi, on the south side of the Kanmon channel, Fukuoka Prefecture, in 1950.
 While a student at Hitotsubashi University in Tokyo, he published The Bride Poems, a series of poems (April 1972), as well as a fundamental criticism of the current state of contemporary poetry (August 1972), in the [...]]]></description>
			<content:encoded><![CDATA[<p><span lang="EN-US"><span style="color: #666699;"><span style="font-family: symbol;">Takashi HIRAIDE was born in Moji, Kitakyushu-shi, on the south side of the Kanmon channel, Fukuoka Prefecture, in 1950.<br />
 While a student at Hitotsubashi University in Tokyo, he published </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">The Bride Poems</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, a series of poems (April 1972), as well as a fundamental criticism of the current state of contemporary poetry (August 1972), in the famous poetry magazine </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Eureka</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">. Just after graduation, he published his first collection of poems, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">The Inn</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1976), a book which inspired a strong response from the readers of the 1970s, a sequence that began his career as one of the leading poets of Japan’s post-war generation.<br />
 In 1978, Hiraide gained employment as an editor at the old literary magazine </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Bungei</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> at Kawadeshobo-shinsha. During this time, he continued to further develop his work in poetry and poetics. He was later awarded the Education Minister’s Art Encouragement Prize for Freshman for his second book of poems,</span></span><em><span style="color: #666699;"><span style="font-family: symbol;"> For the Fighting Spirit of the Walnut</span></span></em><span style="font-family: symbol;"><span style="color: #808000;"><span style="color: #99977e;"><span style="color: #666699;"><span style="font-family: symbol;"> (1982).<br />
 </span></span><span style="font-family: symbol;"> </span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Portraits of a Young Osteopath</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1984) is his third book of poems, in which he incorporated a new method for introducing descriptions of natural science in poetry.<br />
 In 1985, he spent three months at the University of Iowa as a poet in residence for the International Writing Program. In 1987, he quit Kawadeshobo-shinsha and published </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Green Ray in My House</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, in a complex style of free verse, prose poem, and novel.<br />
 In 1990 he began teaching at Tama Art University, where he is now a professor of Poetics and Art Science as well as a core member of the new Institute for Art Anthropology.<br />
 In the past seventeen years, he has published, in addition to contemporary poetry, books of various genres and forms, including a book of ambiguous genre, which borders between poetry and essay (</span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Notes for My Left-hand Diary</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, 1993; winner of Yomiuri Literary Award), a poetic book of letters addressed to a dead artist (</span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Postcards to Donald Evans</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, 2001), a serial collection of traditional tanka and diary (</span></span><em><span style="color: #666699;"><span style="font-family: symbol;">One Hundred and Eleven Tankas to Mourn My Father</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, 2000), a novel of autobiography and surrealism (</span></span><em><span style="color: #666699;"><span style="font-family: symbol;">A Guest Cat</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, 2001; winner of Kiyama Shohei Literary Award), and several books of essays on art, travel and sports. In particular, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Poetics of Baseball</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1989) is not merely a book about the sport, but also uses the analogy of baseball to write about poetics itself.<br />
 In 1998 and 1999, Hiraide was a visiting scholar at the Berlin Free University, a year-long experience which produced his travelogue, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">The Berlin Moment</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (2002), following the traces of Franz Kafka, Walter Benjamin and Paul Celan, for which he was awarded The Travel Writing Award.<br />
 He has also brought forth two volumes of work by </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Irako Seihaku</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (2003), which serve as not only a biography about the reclusive and prominent Japanese poet of the old Meiji-era, but also a critique on major problems of modern Japanese poetry, as well as a unique novel employing a special narration system reliving the unknown diary of the forgotten poet. This work has received the Minister of Education’s Art Encouragement Prize and the Toson Shimazaki Memorial Award from Rekitei.<br />
 In addition, he has edited two large volumes of </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">the Complete Works of Irako Seihaku</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (2003), after extensive research on the writings and life of the poet.<br />
 Hiraide sometimes works with book design for small poetry magazines and literary books such as </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">The Complete Works of Irako</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Seihaku</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> as well as his own </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Irako Seihaku</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, which received The Minister of Economy &amp; Industry’s Prize, Book Design Concours in 2004.<br />
 He has written many articles of poetry criticism for </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">the Kyodo News</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> from 1985-1986, for </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">the Mainichi Newspaper</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">from 1987-1990, and for </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">the Asahi Newspaper</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> from 2000-2002. He has published four books of poetics, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Future of Shipwreck</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1982), </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">At the Tip of Attack</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1985), </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Doubt about Light</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (1992), </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Multiple-Way Street</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (2004)<br />
 In September of 2005, Hiraide was invited to </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Sprachsalz</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, the international literary festival in Hall, south Tirol of Austria, as a “godson” to Kenzaburo Oe, the Japanese Nobel Prize-winning novelist. Oe, who was a special guest for the festival, highly praised Hiraide’s writings for providing a new direction for prose within the field of poetry.<br />
 On a similar note, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">William Blake’s Bat</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (2004) is a book of short essays on his ordinary life about which the novelist  Natsuki Ikezawa wrote, “I would like to evade calling these writings essays or stray notes or short pieces. It’s very beautiful, but readers cannot see where the contrivances for the beauty of these writings are. It’s perhaps concerned in his way of life, at least with his way of living.”<br />
 Hiraide is also the author of several books corresponding with outstanding artists, including Donald Evans along with On Kawara and Mitsuo Kano. He gave a lecture at the On Kawara exhibition at Kunstverein in Koeln in September of 1995. The lecture was translated into German and published as a text of </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">On Kawara Erscheinen-Verschewinden</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> (</span></span><em><span style="color: #666699;"><span style="font-family: symbol;">On Kawara Appearance-Disappearance</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">) (Maly Verlag, Koeln, Germany, 1997). Mitsuo Kano has made a printed work called </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Serpentinata</span></span></em><span style="color: #666699;"><span style="font-family: symbol;"> in colour intaglio, inspired by a critical poem by Hiraide. The work comes in its own box, including a print of the poem.<br />
 There are three complete books of Hiraide’s work in translation, </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Postcards to Donald Evans, </span></span></em><span style="color: #666699;"><span style="font-family: symbol;">translated into English by</span></span><em><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></em><span style="color: #666699;"><span style="font-family: symbol;">Tomoyuki Iino (Tibor de Nagy Editions, New York, USA, 2003) , </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">Le Chat qui venait du ciel, </span></span></em><span style="color: #666699;"><span style="font-family: symbol;">translated into French by Elisabeth Suetsugu</span></span><em><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></em><span style="color: #666699;"><span style="font-family: symbol;">(Editions Philippe Picquier, France 2004), and </span></span><em><span style="color: #666699;"><span style="font-family: symbol;">For the Fighting Spirit of the Walnut</span></span></em><span style="color: #666699;"><span style="font-family: symbol;">, translated into English by Sawako Nakayasu (New Directions, New York, U.S.A. 2008) which is a recipient of the 2009 Best Translated Book Awards for poetry. This award is the only prize of its kind to honor the best original works of international literature and poetry published in the U.S. over the past year.</span></span><span style="font-family: 'Times New Roman', Times, serif;"><span style="font-family: symbol;"><span style="color: #808000;"><span style="color: #99977e;"><span style="color: #666699;"><span style="font-family: symbol;"><br />
 </span></span><span style="font-family: symbol;"> </span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></span><span style="color: #666699;"><span style="font-family: symbol;"> </span></span></span><span style="color: #666699;"><span style="font-family: symbol;">There are other translations of his poems into English, German, French, Russian, Chinese and Korean that have appeared in anthologies and poetry magazines.<br />
 Hiraide currently lives in the west suburbs of Tokyo with a cat and his wife, the poet Michiyo Kawano. (English text by Sawako Nakayasu)</span></span></span></p>
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		<title>kurze Lebensgeschichte(De)</title>
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		<pubDate>Tue, 03 Apr 1962 11:44:18 +0000</pubDate>
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		<description><![CDATA[Takashi Hiraide wurde 1950 in Moji, Präfektur Fukuoka, geboren. Noch als Student an der Hitotsubashi Universität in Tokyo veröffentlichte er den Gedichtband „Bride Poems“, eine Sammlung, mit der er zu einem der führenden Dichter der japanischen Nachkriegsgeneration wurde. Nach dem Abschluss des Studiums arbeitete er als Redakteur beim Tokioter Verlag Kawadeshoboshinsha.
 Für sein zweites Buch [...]]]></description>
			<content:encoded><![CDATA[<p><span style="color: #808000;"><span style="color: #666699;"><span style="font-family: symbol;">Takashi Hiraide wurde 1950 in Moji, Präfektur Fukuoka, geboren. Noch als Student an der Hitotsubashi Universität in Tokyo veröffentlichte er den Gedichtband „Bride Poems“, eine Sammlung, mit der er zu einem der führenden Dichter der japanischen Nachkriegsgeneration wurde. Nach dem Abschluss des Studiums arbeitete er als Redakteur beim Tokioter Verlag Kawadeshoboshinsha.<br />
 Für sein zweites Buch „For the Fighting Spirit of Walnut“ (1982) erhielt er den Preis des Bildungsministers für junge Schriftsteller.<br />
 1985 weilte er drei Monate lang als „Writer in residence“ im Rahmen des dortigen „International Writing Programs“ an der Universität von Iowa (USA).<br />
 !987 beendete er seine Tätigkeit am Kawadeshoboshinsha.-Verlag und begann an der Tama – Kunsthochschule zu unterrichten, wo er heute den Lehrstuhl für Poetik inne hat.<br />
 In den letzten fünfzehn Jahren hat er neben Gedichten auch andere Texte veröffentlicht, einschließlich Bücher, die man als „poetische Prosa“ klassifizieren könnte (Notes for my Left–hand Diary, 1993 – ausgezeichnet mit dem Yomiuri Literaturpreis); eine Sammlung von Tankas (One Hundred and Eleven Tankas to Mourn My Father, 2000); einen Roman (Our Guest Was a Cat, 2001 – ausgezeichnet mit dem Kiyama-Shohei-Preis);<br />
 eine Serie von Briefen (Postcard to Donald Evans, 2001); sowie einige Bände Essays.<br />
 1998 und 1999 war er Gastprofessor an der Freien Universität Berlin, eine Zeit, die die Reiseerzählung „The Berlin Moment“ (2002) hervorbrachte. Für diese Erzählung erhielt er den Preis für Reisebeschreibungen.<br />
 Herr Hiraide lebt und arbeitet in Tokyo.</span></span></span></p>
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